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Field of Boulians
The Giant Rat
Connla and the Fairy Maiden
Dagda's Harp
The Banshee
The Horned Women
The Tale of Ivan
Brewery of Eggshells


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Who were they? The Iron Age is the age of the "Celt" in Britain. Over the 500 or so years leading up to the first Roman invasion (600 BC to 50 AD), a Celtic culture established itself throughout the British Isles. Who were these Celts?

The Celts were a group of peoples loosely tied by similar language, religion, and cultural expression. They were not centrally governed, and quite as happy to fight each other as any non-Celt.They were also the people who brought iron working to the British Isles.

The advent of iron. The use of iron had amazing repercussions. First, it changed trade and fostered local independence. Trade was essential during the Bronze Age, for not every area was naturally endowed with the necessary ores to make bronze. Iron, on the other hand, was relatively cheap and available almost everywhere.

Celtic family life. The basic unit of Celtic life was the clan, a sort of extended family. The term "family" is a bit misleading, for by all accounts the Celts practiced a peculiar form of child rearing; children were actually raised by foster parents. The foster father was often the brother of the birth-mother.

Clans were bound together very loosely with other clans into tribes, each of which had its own social structure and customs, and possibly its own local gods.

Housing. The Celts lived in huts of arched timber with walls of wicker and roofs of thatch. The huts were generally gathered in loose hamlets.

Farming. The Celts were farmers when they weren't fighting. One of the interesting innovations that they brought to Britain was the iron plough. Earlier ploughs had been awkward affairs--suitable only for ploughing the light upland soils. The heavier iron ploughs constituted an agricultural revolution all by themselves, for they made it possible for the first time to cultivate the rich valley and lowland soils.

The lot of women. Celtic lands were owned communally, and wealth seems to have been based largely on the size of cattle herd owned. The lot of women was a good deal better than in most societies of that time. They were technically equal to men, owned property, and could choose their own husbands. They could also be war leaders, as Boudicca (Boadicea) later proved.

Language. There was a written Celtic language, but it developed well into Christian times, so for much of Celtic history they relied on oral transmission of culture, primarily through the efforts of bards and poets. These arts were tremendously important to the Celts, and much of what we know of their traditions comes to us today through the old tales and poems that were handed down for generations before eventually being written down.

Religion. From what we know of the Celts from Roman commentators, who are, remember, enemies, they held many of their religious ceremonies in woodland groves and near sacred water, such as wells and springs. The Romans speak of human sacrifice as being a part of Celtic religion.

The Celts at War. The Celts loved war. They arrayed themselves as fiercely as possible, sometimes charging into battle fully naked, dyed blue from head to toe, and screaming like banshees to terrify their enemies.

The Celts were great users of light chariots in warfare. From this chariot, drawn by two horses, they would throw spears at an enemy before dismounting to have a go with heavy slashing swords. They also had a habit of dragging families and baggage along to their battles, forming a great milling mass of encumbrances, which sometimes cost them a victory.

The main problem with the Celts was that they couldn't stop fighting among themselves long enough to put up a unified front. Each tribe was out for itself, and in the long run this cost them control of Britain.

(c) Historian David Ross

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RICH woman sat up late one night carding and preparing wool, while all the family and servants were asleep. Suddenly a knock was given at the door, and a voice called, "Open! open!"


"Who is there?" said the woman of the house.

"I am the Witch of one Horn," was answered.

The mistress, supposing that one of her neighbours had called and required assistance, opened the door, and a woman entered, having in her hand a pair of wool-carders, and bearing a horn on her forehead, as if growing there. She sat down by the fire in silence, and began to card the wool with violent haste. Suddenly she paused, and said aloud: "Where are the women? they delay too long."

Then a second knock came to the door, and a voice called as before, "Open! open!"

The mistress felt herself obliged to rise and open to the call, and immediately a second witch entered, having two horns on her forehead, and in her hand a wheel for spinning wool.

"Give me place," she said; "I am the Witch of the two horns," and she began to spin as quick as lightning.

And so the knocks went on, and the call was heard, and the witches entered, until at last twelve women sat round the fire--the first with one horn, the last with twelve horns.

And they carded the thread, and turned their spinning wheels, and wound and wove, all singing together an ancient rhyme, but no word did they speak to the mistress of the house. Strange to hear, and frightful to look upon, were these twelve women, with their horns and their wheels and the mistress felt near to death, and she tried to rise that she might call for help, but she could not move, nor could she utter a word or a cry, for the spell of the witches was upon her.

Then one of them called to her in Irish, and said, "Rise, woman, and make us a cake."

Then the mistress searched for a vessel to bring water from the well that she might mix the meal and make the cake, but she could find none.

And they said to her, "Take a sieve and bring water in it."

And she took the sieve and went to the well; but the water poured from it, and she could fetch none for the cake, and she sat down by the well and wept.

Then a voice came by her and said, "Take yellow clay and moss, and bind them together, and plaster the sieve so that it will hold."

This she did, and the sieve held the water for the cake and the voice said again:

"Return, and when thou comest to the north angle of the house, cry aloud three times and say, 'The mountain of the Fenian women and the sky over it is all on fire.' "

And she did so.

When the witches inside heard the call, a great and terrible cry broke from their lips, and they rushed forth with wild lamentations and shrieks, and fled away to Slievenamon, where was their chief abode. But the Spirit of the Well bade the mistress of the house to enter and prepare her home against the enchantments of the witches if they returned again.

And first, to break their spells, she sprinkled the water in which she had washed her child's feet, the feet-water, outside the door on the threshold; secondly, she took the cake which in her absence the witches had made of meal mixed with the blood drawn from the sleeping family, and she broke the cake in bits, and placed a bit in the mouth of each sleeper, and they were restored; and she took the cloth they had woven, and placed it half in and half out of the chest with the padlock; and lastly, she secured the door with a great crossbeam fastened in the jambs, so that the witches could not enter, and having done these things she waited.

Not long were the witches in coming back, and they raged and called for vengeance.

"Open! open!" they screamed; "open, feet-water!"

"I cannot," said the feet-water; "I am scattered on the ground, and my path is down to the Lough."

"Open, open, wood and trees and beam!" they cried to the door.

"I cannot," said the door, "for the beam is fixed in the jambs and I have no power to move."

"Open, open, cake that we have made and mingled with blood!" they cried again.

"I cannot," said the cake, "for I am broken and bruised, and my blood is on the lips of the sleeping children."

Then the witches rushed through the air with great cries, and fled back to Slievenamon, uttering strange curses on the Spirit of the Well, who had wished their ruin; but the woman and the house were left in peace, and a mantle dropped by one of the witches in her flight was kept hung up by the mistress in memory of that night; and this mantle was kept by the same family from generation to generation for five hundred years after.

 


 

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Metal Arts Group specializes in fine jewelry inspired by Celtic traditions, designs and legends. With over 110 years of experience, we have become respected leaders in Celtic as well as Northwest Native American metal arts. Our work is sought by collectors worldwide and carried by such prestigious institutions as the Smithsonian Institute and New York's Museum of Natural History. We encourage you to browse our extensive collection of original designs.